What Camera Gear do they use?

  Hiroshi Sugimoto is a Japanese photographer and conceptual artist known for serene, minimalist black-and-white images that explore time, memory, and perception. Whether he’s photographing the sea horizon, empty movie theaters, or dioramas at natural history museums, Sugimoto’s work is technically immaculate and deeply philosophical. His gear is inseparable from his method — large-format cameras, long exposures, and a nearly obsessive control of the photographic process. Camera Gear & Technical Method Main Camera: Deardorff 8×10 View Camera Sugimoto’s primary camera is a Deardorff 8×10 large format field camera , a wooden-bodied bellows camera originally designed in the 1920s. It’s heavy, slow, and fully manual — but also supremely capable of producing images with exquisite detail and tonal range. Deardorf 8x10 He also sometimes uses an 11×14 large format camera for extremely high-resolution work. I like old cameras. You need to spend time. You can’t just press the shu...

Stephen Shore is known for his pioneering work in color photography and for elevating everyday American scenes into art, particularly in the 1970s. His gear evolved significantly over time, depending on the phase of his work.  Here’s a breakdown of what cameras he has used: Early Work (1960s) 35mm Leica M3 Used during his teenage years while documenting Andy Warhol’s Factory Equipped with standard Leica lenses Leica M3 1970s: Iconic Color Work (e.g., Uncommon Places , American Surfaces ) 🔹 American Surfaces (1972–1973) Rollei 35 (compact 35mm camera) Very small and portable Allowed him to shoot casually and frequently in color Shot on Kodak color negative film Rollei 35 🔹 Uncommon Places (mid-1970s onward) Linhof Technika IV 4x5 Large format camera Used with color 4x5" sheet film (Kodak) Shifted to more deliberate compositions, with extreme detail and clarity Often mounted on a tripod Linhof Technika IV 4x5 Deardorff 8x10 View Ca...

  Yousuf Karsh (1908–2002), one of the most celebrated portrait photographers of the 20th century, was known for his dramatic use of lighting and large-format precision. His camera gear reflected his commitment to image quality and detail. Here’s what Karsh typically used: Primary camera 8×10 view cameras Karsh often used large-format cameras like: Calumet 8×10 view camera Deardorff 8×10 (also reported in some sources) These cameras allowed him to create richly detailed, high-resolution images suitable for his large prints. Yousuf Karsh Yousuf Karsh Film 8×10 sheet film (black & white and color depending on the portrait) He favored films that could handle high contrast and capture his signature lighting style. Lenses Large-format lenses from makers like Schneider and Rodenstock (typical for view cameras of that era) Focal lengths that gave him a normal to slightly longer perspective for tight, formal portraits (e.g., 300 mm or longer for 8×10 format...

  Ansel Adams, one of the most iconic landscape photographers of the 20th century, is best known for his large-format black-and-white photography of the American West, particularly Yosemite. His camera gear was meticulously chosen to deliver maximum image quality and tonal range, consistent with his technical precision and artistic vision. Primary Camera Formats and Brands Large Format (8×10 and 4×5 view cameras) This was Adams' preferred format, offering the exceptional resolution, tonal range, and detail he demanded. Cameras: Korona View Camera (8×10) – Early in his career. Deardorff 8×10 – A wooden field camera used for much of his later large-format work. Arca-Swiss 4×5 – Later in life, Adams used a Swiss-made monorail camera for its precision. Hasselblad SWC – Medium format, used occasionally for more portable work. Korona View 8x10 Deardorf 8x10 Arca Swiss 4x5 Hasselblad SWC Lenses: Carl Zeiss Jena Tessar lenses Kodak Commercial Ektar lenses ...

  Joel Meyerowitz, a pioneering figure in street and color photography, has utilized a diverse range of camera gear throughout his career, adapting his equipment to suit his evolving artistic vision. Early Career: 35mm Street Photography Leica M Series : Meyerowitz began his photographic journey with Leica M rangefinders, often carrying two simultaneously—one loaded with black-and-white film, the other with color. He favored wide-angle lenses, particularly 35mm and 28mm, for their ability to capture the immediacy of street life. Joel Meyerowtiz and his Leica Pentax with 50mm Lens : Initially, he used a Pentax camera with a 50mm lens but soon found it limiting. He transitioned to a Zeiss Flektogon 35mm lens, which he described as transformative for his work. Transition to Large Format 8×10 Deardorff View Camera : In the 1970s, seeking greater detail and tonal range, Meyerowitz adopted a vintage 8×10 Deardorff camera equipped with 10" or 12" Commercial Ektar lenses. Th...