What Camera Gear do they use?

  Christopher Anderson: Emotion in Color and Intimacy Christopher Anderson (b. 1970, Canada/USA) is a Magnum photographer renowned for his deeply emotional, cinematic approach to both documentary and portrait photography. Whether capturing the chaos of war or the quiet tenderness of family life, Anderson’s work is defined by its intimacy, rich color palette, and human connection. His transition from photojournalism to personal, introspective projects marks one of the most compelling evolutions in modern photography. Camera Gear Christopher Anderson’s gear reflects his evolving vision — from fast, rugged reportage tools to compact, mirrorless cameras that allow for spontaneity and emotional closeness. Film & Early Digital Era Leica M6 & M7 – His main cameras during his early career, notably for Capitolio and Nonfiction . Leica M6 Kodak Tri-X & Kodak Portra 400 – Film stocks that balanced contrast and warmth, key to his visual tone. Canon EOS 5D Series – U...

  Antoine d’Agata: Darkness, Desire, and the Camera Antoine d’Agata (b. 1961) is a French photographer and filmmaker whose work explores themes of addiction, sexuality, violence, and marginality. A member of Magnum Photos since 2004, d’Agata’s imagery is raw, visceral, and unapologetically confrontational. His photographs blur the line between document and confession, placing himself and his experiences at the heart of his art. Camera Gear Antoine d’Agata has used a range of gear over the years, often chosen for its ability to work in low light and produce gritty, atmospheric images: Leica M film cameras – For street and intimate documentary work, paired with classic lenses like 35mm and 50mm. Nikon SLRs (film) – Used during his early projects, reliable for reportage in harsh conditions. Digital Leica M (M9, M10) – Continuing his Leica tradition in the digital era. Leica M10 Compact cameras & point-and-shoots – D’Agata sometimes employs smaller cameras for dis...

  Matt Stuart, a renowned British street photographer, is known for his minimalist approach to gear, favoring simplicity and discretion to capture candid moments. Here's an overview of the camera equipment he uses: Film Photography Camera : Leica MP Lens : 35mm f/1.4 Leica Summilux Film : Fuji Superia 200 and 400 Stuart prefers the Leica MP for its compactness and quiet operation, making it ideal for unobtrusive street photography. He appreciates the anticipation involved in shooting film, stating, "I like film as I am still in love with the process of waiting to see what you may or may not have got." Leica MP Digital Photography Primary Digital Camera : Leica M10-P with a 35mm f/1.4 Leica Summilux lens Additional Digital Camera : Leica SL For Commercial Work : Canon 5D Mark III Matt Stuart and his Leica Leica M10 While Stuart uses digital cameras for commercial assignments, he maintains a preference for film in his personal street photography pr...

  Joel Meyerowitz, a pioneering figure in street and color photography, has utilized a diverse range of camera gear throughout his career, adapting his equipment to suit his evolving artistic vision. Early Career: 35mm Street Photography Leica M Series : Meyerowitz began his photographic journey with Leica M rangefinders, often carrying two simultaneously—one loaded with black-and-white film, the other with color. He favored wide-angle lenses, particularly 35mm and 28mm, for their ability to capture the immediacy of street life. Joel Meyerowtiz and his Leica Pentax with 50mm Lens : Initially, he used a Pentax camera with a 50mm lens but soon found it limiting. He transitioned to a Zeiss Flektogon 35mm lens, which he described as transformative for his work. Transition to Large Format 8×10 Deardorff View Camera : In the 1970s, seeking greater detail and tonal range, Meyerowitz adopted a vintage 8×10 Deardorff camera equipped with 10" or 12" Commercial Ektar lenses. Th...