What Camera Gear do they use?

Raghu Rai: The Eye of India by Jerome D. Introduction Raghu Rai (18 December 1942 – 26 April 2026) was an Indian photographer and photojournalist widely regarded as the greatest chronicler of independent India — and, by many accounts, the finest photographer his country has ever produced. Born in the village of Jhang in Punjab, British India (now Pakistan), he trained as a civil engineer before discovering photography through his elder brother, the photographer S. Paul. His first published image — a donkey staring straight into the lens — appeared in The Times of London . He joined The Statesman newspaper in New Delhi as chief photographer in 1966 and never looked back. In 1971, the legendary Henri Cartier-Bresson , impressed by an exhibition of Rai's work at Galerie Delpire in Paris, nominated him to join Magnum Photos — making Rai the first and, for decades, the only Indian member of the world's most prestigious photography cooperative. He formally joined in 19...

Greg Mo: The Colour Dreamer of Asian Streets by Jerome D. This article contains sponsored links, I might earn a commission at no extra cost to you. Introduction Greg Mo (b. 1981, Paris) is a self-taught French street and conceptual photographer based in Phnom Penh, Cambodia. Over the past fifteen years, he has built one of the most distinctive bodies of work in contemporary Asian street photography — colour-drenched, surrealist in feel, and composed with an architect's sense of balance and geometry. His images of India, Cambodia, Indonesia, Japan, Burma, and China feel pulled from a dream: vivid, layered, intriguing, and always slightly strange. Mo moved to Asia in 2008 during a six-month trip that became the starting point of his practice. He first came to broader attention with Sleep in Cambodia , a book documenting people sleeping in the streets of Phnom Penh in improbable positions, which appeared in 2011 and launched his more serious professional work. His l...

The Best Photo Printers for Professional-Looking Results If you have ever spent serious time getting an image right — calibrating exposure, working a scene, editing carefully in post — and then sent it to a consumer inkjet only to get a flat, muddy print back, you already know the problem.  Most printers are designed to handle documents and the occasional holiday snapshot. Getting a print that does justice to a carefully made photograph requires a different category of machine entirely. This guide focuses on the printers that photographers — from serious amateurs to working professionals — actually use when they want results that rival a print lab.  The market is essentially a choice between Canon and Epson. Other brands exist at the consumer level, but when it comes to dedicated photo printers worth taking seriously, these two dominate completely. Dye vs. Pigment: The First Decision Before looking at specific models, you need to understand the fundamental split in inkjet ...

Gemini said How to Replicate the Deep Black & White Panoramics of Josef Koudelka with a Digital Camera By Jerome D. A practical guide to gear, shooting technique, and post-production workflow — from the 65:24 Xpan format to the silver gelatin darkroom aesthetic. There is a darkness in Koudelka's panoramics that no other photographer has quite matched — a blackness so deep it appears to swallow the frame from both edges inward, leaving subjects stranded in a sea of shadow and ancient light. His books on the Holy Land, on industrial ruins, on the organized chaos of human settlement, are visual documents of a unique intensity. This guide is a practical attempt to understand, dissect, and replicate that vision using contemporary digital tools. 1. Understanding Koudelka's Panoramic Vision Josef Koudelka began his panoramic work in the early 1990s after moving from the 35mm Leica to the Fujifilm TX-1 (marketed in Europe as the Hasselblad XPan), a half-frame 35mm panoramic camera ...

Mike Abrahams: The Humanist Observer by Jerome D. This article contains sponsored links, I might earn a commission at no extra cost to you. Introduction Mike Abrahams (b. 1952, Derby, England) is one of Britain’s most respected documentary photographers — known for his deeply human, empathetic approach to long-form storytelling. His work focuses not on spectacle but on lived experience: communities, social change and the quiet dignity of everyday life. Abrahams studied photography at Manchester Polytechnic in the 1970s before beginning his career working for editorial publications. He quickly developed a reputation for immersive, long-term projects that required patience, trust and sustained engagement with his subjects. He became a member of Network Photographers , the influential British photojournalist collective, and later joined Magnum Photos in 1988 , becoming a full member in 1994. His work has appeared in major publications and has been widely exhibited internationally. Abraham...

  Peter Beard: The Diary of Excess by Jerome D. This article contains sponsored links, I might earn a commission at no extra cost to you. Introduction Peter Beard (1938–2020, New York, USA) was one of the most unconventional figures in twentieth-century photography — a photographer, diarist and collage artist whose work blurred the boundaries between documentation and personal mythology. Raised in New York, Beard developed an early fascination with Africa after reading Out of Africa by Isak Dinesen . This fascination became a lifelong obsession. After studying art history at Yale, he traveled to Kenya in the early 1960s and eventually settled there, dividing his time between Africa and New York. Beard’s work is inseparable from his life. He photographed wildlife, landscapes and people — particularly in Kenya — while also documenting his own experiences through handwritten diaries, drawings and collages. His photographs were often physically altered, covered with ink, paint, blood ...