What Camera Gear do they use?

  Walker Evans: The Architect of American Documentary Photography Introduction Walker Evans (1903–1975) stands as one of the most influential documentary photographers in American history. His work defined the visual language of the Great Depression and shaped the principles of modern photographic storytelling. Working for the Farm Security Administration (FSA) in the 1930s, Evans produced some of the most iconic images of rural America ever made — portraits of tenant farmers, weathered buildings, and the stark realities of poverty. These photographs became visual cornerstones of American cultural memory. Beyond his Depression-era work, Evans explored signage, architecture, city streets, and everyday objects, creating photographs that were straightforward yet profound. His commitment to clarity, honesty, and form influenced generations of photographers, from Robert Frank to Stephen Shore and countless contemporary artists. Camera Gear Used by Walker Evans Evans was intent...

  Andreas Gursky: The Master of Monumental Scale and Hyperreal Landscapes Introduction Andreas Gursky, born in 1955 in Leipzig, is one of the most influential photographic artists of the modern era. Known for his enormous, detail-rich images that blend documentary precision with conceptual abstraction, Gursky redefined what photography can be. Working at the intersection of architecture, sociology, economics, and landscape , he creates images that reveal the hidden structures of globalization — from stock exchanges and factory floors to massive landscapes transformed by human activity. Gursky’s work hinges on scale and clarity. His images are often printed several meters wide, yet remain razor-sharp throughout. This distinctive level of detail, achieved through both technical mastery and digital compositing, makes him a pioneer of modern large-format photography. Camera Gear Used by Andreas Gursky Gursky’s equipment is a critical part of his visual language: high-resolution, large-...

  Mark Power: The Architect of Large-Format Documentary Photography Introduction Mark Power, born in 1959 in Harpenden, England, is one of the most celebrated contemporary documentary photographers working today. Known for his monumental large-format projects and meticulously crafted visual narratives, Power’s work blends architectural precision with emotional distance, producing images that reveal the hidden structures and quiet rhythms of everyday society. A member of Magnum Photos since 2007 , Power has spent decades exploring themes of national identity, industry, globalization, and the subtle transformations of modern landscapes. His photographs — often expansive, detailed, and formally composed — invite viewers to examine not just what is happening in the frame, but how places shape the people who inhabit them. With the eye of an architect and the sensibility of a documentarian, Mark Power has become one of the defining visual storytellers of his generation. Camera Gear Used ...

J. Fritz Rumpf: The Painterly Vision of Modern Landscape J. Fritz Rumpf is a celebrated fine-art landscape photographer, recently crowned the 2025 International Landscape Photographer of the Year. Born and raised in Venezuela and now based in Phoenix, Arizona, Rumpf has carved a unique niche in the world of nature photography by moving beyond the traditional "grand vista." His images are not merely documentations of scenery but are intimate, painterly interpretations of the natural world. Whether capturing the stark minimalism of a snow-covered fjord or the vibrant, abstract textures of a mushroom's gills, Rumpf’s work is defined by a "conversation with the landscape." He approaches his subjects with profound patience, waiting for the moment when light, line, and emotion align to reveal something unseen by the casual observer. Camera Gear Used by J. Fritz Rumpf Rumpf’s technical approach is defined by precision and stability. Unlike photographers who rely on a v...

  Karol Nienartowicz: The Painter of Mountain Light Introduction Karol Nienartowicz is a Polish landscape photographer whose name has become synonymous with the "painterly" mountain aesthetic. A licensed mountain guide and tireless explorer, Nienartowicz doesn’t just photograph peaks—he lives among them. From the jagged ridges of the Tatras to the freezing winds of the Andes, he spends weeks camping in extreme conditions to capture moments where light and terrain merge into something otherworldly. His work is characterized by a profound depth of color, dramatic lighting, and compositions that often feature a solitary human figure—frequently himself—to give a staggering sense of scale to the wilderness. Recently awarded Second Place in the 2025 International Landscape Photographer of the Year , Nienartowicz continues to push the boundaries of how we perceive high-altitude environments. Camera Gear Used by Karol Nienartowicz Nienartowicz’s gear philosophy is dictated by the ph...

  Alexander Gronsky: The Walk of Landscape and the Quiet City Edge Alexander Gronsky (b. 1980, Tallinn/Estonia; based in Riga) is a photographer whose work lies at the intersection of urban peripheries, the overlooked landscapes of post-Soviet Russia, and the transitional zones between nature and construction. His acclaimed series Pastoral , The Edge , Mountains & Waters , and Norilsk interrogate how human presence and architecture transform space, often photographing spaces that feel neither fully urban nor rural. Camera Gear Here are the gear details for Gronsky found in credible sources: In Wikipedia , it states: “Rather than use a large format camera with a tripod as is typical for this style of photography, he kept his equipment to a minimum, using just a portable Mamiya 7 camera .” The AnOtherMag article says: “Using just a portable, inconspicuous Mamiya 7 camera that allowed him to get close to his subjects…” Film & Technique Gronsky often photograph...

  Hiroshi Sugimoto is a Japanese photographer and conceptual artist known for serene, minimalist black-and-white images that explore time, memory, and perception. Whether he’s photographing the sea horizon, empty movie theaters, or dioramas at natural history museums, Sugimoto’s work is technically immaculate and deeply philosophical. His gear is inseparable from his method — large-format cameras, long exposures, and a nearly obsessive control of the photographic process. Camera Gear & Technical Method Main Camera: Deardorff 8×10 View Camera Sugimoto’s primary camera is a Deardorff 8×10 large format field camera , a wooden-bodied bellows camera originally designed in the 1920s. It’s heavy, slow, and fully manual — but also supremely capable of producing images with exquisite detail and tonal range. Deardorf 8x10 He also sometimes uses an 11×14 large format camera for extremely high-resolution work. I like old cameras. You need to spend time. You can’t just press the shu...

  Michael Kenna is deeply associated with a quintessential — yet minimalist — analog setup that reflects his artistic vision. Here's a breakdown of the gear he uses: Main Camera: Hasselblad Medium Format (since the 1980s) Kenna primarily works with Hasselblad medium-format cameras – fully manual, mechanically reliable, and ideal for his long-exposure landscapes . He typically carries: 2 bodies : from the 500 CM Series 2 viewfinders (metered pentaprism + waist-level) 2 film backs 5 lenses , often Schneider Kreuznach primes: 50 mm, 80 mm, and 135 mm. This gear lives in his backpack (tripod excluded) as he hikes and shoots over long hours. Hasselblad 500 C/M Exposure Style: Ultra Long Exposures Typical exposures range from 10–30 minutes , and he’s known for even eight-hour night shots . His goal: embrace unpredictability—fog, cloud movement, lens effects—as part of the image . Toy Camera: Holga for Experimentation Kenna also carries Holga plastic ~m...