What Camera Gear do they use?

  Hiroshi Sugimoto is a Japanese photographer and conceptual artist known for serene, minimalist black-and-white images that explore time, memory, and perception. Whether he’s photographing the sea horizon, empty movie theaters, or dioramas at natural history museums, Sugimoto’s work is technically immaculate and deeply philosophical. His gear is inseparable from his method — large-format cameras, long exposures, and a nearly obsessive control of the photographic process. Camera Gear & Technical Method Main Camera: Deardorff 8×10 View Camera Sugimoto’s primary camera is a Deardorff 8×10 large format field camera , a wooden-bodied bellows camera originally designed in the 1920s. It’s heavy, slow, and fully manual — but also supremely capable of producing images with exquisite detail and tonal range. Deardorf 8x10 He also sometimes uses an 11×14 large format camera for extremely high-resolution work. I like old cameras. You need to spend time. You can’t just press the shu...

  Michael Kenna is deeply associated with a quintessential — yet minimalist — analog setup that reflects his artistic vision. Here's a breakdown of the gear he uses: Main Camera: Hasselblad Medium Format (since the 1980s) Kenna primarily works with Hasselblad medium-format cameras – fully manual, mechanically reliable, and ideal for his long-exposure landscapes . He typically carries: 2 bodies : from the 500 CM Series 2 viewfinders (metered pentaprism + waist-level) 2 film backs 5 lenses , often Schneider Kreuznach primes: 50 mm, 80 mm, and 135 mm. This gear lives in his backpack (tripod excluded) as he hikes and shoots over long hours. Hasselblad 500 C/M Exposure Style: Ultra Long Exposures Typical exposures range from 10–30 minutes , and he’s known for even eight-hour night shots . His goal: embrace unpredictability—fog, cloud movement, lens effects—as part of the image . Toy Camera: Holga for Experimentation Kenna also carries Holga plastic ~m...

  Edward Burtynsky is renowned for his monumental industrial landscapes, and his camera gear reflects decades of evolution—from 8×10 film to high-resolution digital.  Here's a detailed overview: Early Film Era Large-format field cameras (4×5 and 8×10 sheet film) Shot iconic projects like Mines , Quarries , Shipbreaking , etc. Used Linhof view cameras and other large-format systems. Often proofed with Polaroid Type 55 during shoots Linhof 4 x 5 Transition to Digital Hasselblad H6D‑100c His current primary camera, boasting a 100‑megapixel sensor with Hasselblad/Imacon color profile—designed to emulate negative-film aesthetics. Previously used the H6D‑60 , which offered quality comparable to 5×7 film; the H6D‑100 elevates him to 8×10 film territory Hasselblad H6D-100c Bertynsky with Hasselblad H6D-100c Specialized Aerial Setup Hasselblad digital bodies mounted on gyro‑stabilized rigs for aerial work Shot from helicopters or RC-copters with live vide...

  Joe Greer is a renowned photographer celebrated for his emotive storytelling and mastery of both analog and digital mediums. His gear choices reflect a deep appreciation for the tactile and intentional aspects of photography. Camera Bodies Leica M6 : Greer’s primary camera for film photography is the Leica M6. He often describes it as his "trusty" companion, rarely leaving home without it. The M6's manual controls and compact form factor align with his desire for intentionality in capturing moments. Leica M6 Mamiya 7 : For medium format work, Greer has been known to use the Mamiya 7. This rangefinder camera offers exceptional image quality, making it suitable for his landscape and portrait projects. Mamiya 7 Canon 5D Mark II : In his transition from mobile to digital photography, Greer utilized the Canon 5D Mark II paired with a 50mm f/1.4 lens. This setup helped him bridge the gap between casual shooting and more professional work . Canon EOS 5D Mark II iPhon...

  Ansel Adams, one of the most iconic landscape photographers of the 20th century, is best known for his large-format black-and-white photography of the American West, particularly Yosemite. His camera gear was meticulously chosen to deliver maximum image quality and tonal range, consistent with his technical precision and artistic vision. Primary Camera Formats and Brands Large Format (8×10 and 4×5 view cameras) This was Adams' preferred format, offering the exceptional resolution, tonal range, and detail he demanded. Cameras: Korona View Camera (8×10) – Early in his career. Deardorff 8×10 – A wooden field camera used for much of his later large-format work. Arca-Swiss 4×5 – Later in life, Adams used a Swiss-made monorail camera for its precision. Hasselblad SWC – Medium format, used occasionally for more portable work. Korona View 8x10 Deardorf 8x10 Arca Swiss 4x5 Hasselblad SWC Lenses: Carl Zeiss Jena Tessar lenses Kodak Commercial Ektar lenses ...