What Camera Gear do they use?

  Bill Brandt, a seminal figure in 20th-century British photography, employed a diverse array of cameras throughout his career, each chosen to align with his evolving artistic vision.   His selection of equipment was instrumental in shaping the distinctive aesthetic of his work, from stark social documentaries to surreal nudes and evocative landscapes. Early Career: Zeiss-Ikon Miroflex In the late 1920s, Brandt began his photographic journey with a Zeiss-Ikon Miroflex , a medium format single-lens reflex camera that utilized glass negatives measuring approximately 6.5 x 9 cm. This camera allowed him to compose images meticulously, either at eye level or using a waist-level viewfinder, facilitating both candid street scenes and carefully arranged compositions. Zeiss-Ikon Miroflex Documentary Work: Rolleiflex During the 1930s and early 1940s, Brandt extensively used a Rolleiflex twin-lens reflex camera. Its 6x6 cm format and high-quality optics made it ideal for his social d...

  Lee Friedlander , one of the great masters of American photography, is known for his complex compositions, use of reflections and shadows, and pioneering work in the genre of social landscape photography.  His camera gear has remained relatively consistent throughout his long career, and his choices have shaped the distinct visual style for which he is celebrated. Main Camera Gear Used by Lee Friedlander Leica M Series (35mm Film) In his early career, particularly during the 1960s and 1970s, Friedlander used a Leica M camera (such as the Leica M4 ) with a 35mm lens . Leica M4 This setup allowed for speed, discretion, and deep depth of field — ideal for his layered and spontaneous street photographs. Super-Wide-Angle Lenses Friedlander often used wide and super-wide lenses , including 21mm and 28mm lenses, which contributed to the crowded, energetic feel of his compositions. His perspective often placed his own shadow or reflection into the frame — a signatur...