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Yousuf Karsh

 

Yousuf Karsh (1908–2002), one of the most celebrated portrait photographers of the 20th century, was known for his dramatic use of lighting and large-format precision. His camera gear reflected his commitment to image quality and detail.

Here’s what Karsh typically used:

Primary camera

  • 8×10 view cameras
    Karsh often used large-format cameras like:

    • Calumet 8×10 view camera

    • Deardorff 8×10 (also reported in some sources)

    These cameras allowed him to create richly detailed, high-resolution images suitable for his large prints.

Yousuf Karsh


Yousuf Karsh

Film

  • 8×10 sheet film (black & white and color depending on the portrait)

  • He favored films that could handle high contrast and capture his signature lighting style.

Lenses

  • Large-format lenses from makers like Schneider and Rodenstock (typical for view cameras of that era)

  • Focal lengths that gave him a normal to slightly longer perspective for tight, formal portraits (e.g., 300 mm or longer for 8×10 format).

Lighting

  • Karsh was legendary for his complex, studio-controlled lighting setups.

  • He used:

    • Tungsten hot lights initially

    • Later added strobe lighting as technology advanced

  • His style relied heavily on dramatic key lighting and careful control of shadows and highlights.

Other equipment

  • Tripod: Essential for the heavy 8×10 view cameras

  • Backdrops: Often neutral, textured cloth or painted backgrounds

  • Reflectors and gobos to sculpt light precisely

What made Karsh’s images iconic wasn’t just his equipment—it was his mastery of light and ability to connect with his subjects. His gear served as a tool to translate that mastery into unforgettable photographs.
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