Yousuf Karsh (1908–2002), one of the most celebrated portrait photographers of the 20th century, was known for his dramatic use of lighting and large-format precision. His camera gear reflected his commitment to image quality and detail.
Here’s what Karsh typically used:
Primary camera
-
8×10 view cameras
Karsh often used large-format cameras like:-
Calumet 8×10 view camera
-
Deardorff 8×10 (also reported in some sources)
These cameras allowed him to create richly detailed, high-resolution images suitable for his large prints.
-
 |
| Yousuf Karsh |
 |
| Yousuf Karsh |
Film
-
8×10 sheet film (black & white and color depending on the portrait)
-
He favored films that could handle high contrast and capture his signature lighting style.
Lenses
-
Large-format lenses from makers like Schneider and Rodenstock (typical for view cameras of that era)
-
Focal lengths that gave him a normal to slightly longer perspective for tight, formal portraits (e.g., 300 mm or longer for 8×10 format).
Lighting
-
Karsh was legendary for his complex, studio-controlled lighting setups.
-
He used:
-
Tungsten hot lights initially
-
Later added strobe lighting as technology advanced
-
-
His style relied heavily on dramatic key lighting and careful control of shadows and highlights.
Other equipment
-
Tripod: Essential for the heavy 8×10 view cameras
-
Backdrops: Often neutral, textured cloth or painted backgrounds
-
Reflectors and gobos to sculpt light precisely