What Camera Gear do they use?

  Philip-Lorca diCorcia – Blurring Reality and Fiction Philip-Lorca diCorcia (b. 1951) is an American photographer celebrated for his staged yet lifelike imagery that sits between documentary and constructed photography. His pictures often resemble film stills, blending the mundane with the theatrical. By carefully controlling light, setting, and sometimes even his subjects, diCorcia challenges viewers to question where reality ends and fiction begins. His work has been shown in major museums worldwide and remains influential in both fine art and editorial contexts. Camera Gear DiCorcia adapts his gear to suit his carefully crafted photographic vision, favoring equipment that provides sharpness, control, and cinematic presence: Mamiya RZ67 – used extensively in his staged portraits and constructed scenes for its medium format detail. Mamiya RZ67 Canon EOS 5D series – for flexibility in editorial and commercial projects. Canon Eos 5D see it on Amazon Leica M6 – occasio...

  Juergen Teller (b. 1964, Erlangen, Germany) is a celebrated fashion and fine-art photographer renowned for his intimate, arresting, and often ironic images. His work—whether self-portraits, celebrity campaigns, or everyday moments—is known for a raw emotional immediacy and a refusal to glamorize subjects or settings. Camera Gear & Setup Contax G2 with TLA‑200 Flash For the majority of his early career, Teller shot analog exclusively using Contax G2 35mm rangefinder cameras , often carrying two at once for constant firing. He typically paired these with the on-camera Contax TLA‑200 flash , which produced the high-contrast, shadow-modeling light that became his visual signature . I used the hell out of the silver Contax G2. The flash on it was fantastic Contax G2 Multiple Bodies in Dual-Hand Stance Teller famously held one Contax in each hand, firing in rapid alternating bursts to disarm and engage subjects. This method created an intense rhythm that helped freeze candid emot...

  Maciej Dakowicz is a dedicated Fujifilm X‑Photographer , and his transition from DSLRs to Fujifilm mirrorless marked a pivotal moment in his gear evolution . Here’s a detailed look at the equipment he uses: Digital Mirrorless: Fujifilm X Series Fujifilm X‑H2 His main camera as of 2023–24, chosen for its traditional control layout, user‑programmable PASM dial, and fast handling in varied light. Fujifilm X-H2 Fujifilm X‑T3 His reliable backup body since 2018, after upgrading from the X‑T2. Fujifilm X-T3 Fujifilm X‑T2 The model that sparked his love for mirrorless during a 2017 workshop in Myanmar, thanks to its tilting screen and faster autofocus. Fujifilm X-T2 Consistent with street and travel photography, he uses a simple yet effective setup: 23 mm f/2 prime 18–55 mm kit zoom Here's a quick view of some of his settings on his X-H2: Maciej Dakowicz settings on his X-H2 with 23mm Shooting mode: M (Manual) Iso : 400 Aperture Auto : A (here the camera is at f/10 g...

  Cindy Sherman is renowned not for her equipment, but for how she uses it to create deeply conceptual, transformative self-portraits. That said, over the decades, her camera gear has evolved with technology and her artistic needs. Here’s what’s known about Cindy Sherman’s gear: Early Career (1970s-80s) 35mm film cameras , such as the Nikon FM/FE series and similar SLRs. Nikon FM Lenses: Standard prime lenses (50mm) and sometimes wider lenses depending on the series. Later Career (1990s-2000s) Medium format cameras , including Mamiya RZ67 for large prints and higher image quality. Mamiya RZ67 Occasionally large-format cameras for very high-resolution work. Digital Era (2000s–present) Sherman transitioned to digital photography in the early 2000s. She has been known to use Canon digital SLRs (e.g. Canon EOS 5D series). Canon Eos 5D In some interviews and exhibition notes, she mentions the flexibility digital photography gives her for post-production. Othe...

  Trent Parke, the acclaimed Australian photographer and Magnum member, is known for his powerful use of film and carefully chosen gear that complements his poetic, light-chasing aesthetic.  Here's a breakdown of what he uses: Classic Black & White: Leica M6 + 28 mm Elmarit‑M Camera : Leica M6 rangefinder — Parke has built much of his early career around its precision and reliability . Leica M6 Lens : Elmarit‑M 28 mm f/2.8 ASPH — his go-to lens for its wide-angle perspective and expertise in capturing expansive light and shadow. Film : Ilford FP4 — a high-quality black-and-white film, frequently used by Parke for its tonal depth. Canon DSLR + Telephoto Lenses In addition to his Leica and Mamiya film setups, Parke has used: Canon EOS 5D (various versions) – A full-frame DSLR ideal for high-resolution color work. Canon Eos 5D Telephoto lenses , notably: Canon EF 70–200mm f/2.8L IS – A fast, sharp lens that allows for compressed perspectives and isolation...