What Camera Gear do they use?

  Danny Lyon Danny Lyon, whose career spans the civil rights movement, outlaw biker subculture, and prison reportage, has favored a diverse range of gear across decades—suitable for documentary immersion and cinematic storytelling. Early Equipment Exa 35 mm SLR Bought in Munich during his Europe travels before joining the University of Chicago; his first photographic tool around 1959–1960 . Exa 35mm Leica M-series Used early alongside his Exa; small, quiet, ideal for the high-stakes environments of 1960s civil rights protests . Nikon Reflex (early Nikon F) Became his “real workhorse” during his Bikeriders years—loaded with Tri‑X and mounted with a 105 mm lens for dynamic street shots . Danny Lyon and his Nikon F Rolleiflex Carried during Bikeriders era, often paired with his Nikon and motorcycle kit. Large-Format & Field Cameras Calumet view camera Purchased in Manhattan post-1967 for architectural and demolition photography—cheap but effective for lower ...

  Irving Penn was a master of photographic technique and used a variety of camera gear throughout his career, often adapting his equipment to suit the specific needs of his projects. Here's a breakdown of the types of cameras and some specific models he was known to use: Cameras Large Format View Cameras : These were his most frequently used cameras for studio work, allowing him to capture exceptional detail and tonality. Specific models mentioned include Deardorff and Sinar. He also owned and used a Linhof III Technika 4x5 camera. Irving Penn and camera Linhof 4x5 Technica III  Medium Format Cameras: He used medium format cameras, including the Rolleiflex (which he purchased as his first camera in 1938) and Hasselblad. He took five Rolleiflex twin-lens reflex cameras for his ethnographic work where he used a portable studio. Rolleiflex 35mm Cameras: Penn began using 35mm cameras, such as Leica, for his magazine travel assignments starting in 1950. In the late 1950s, he transi...

  Bill Brandt, a seminal figure in 20th-century British photography, employed a diverse array of cameras throughout his career, each chosen to align with his evolving artistic vision.   His selection of equipment was instrumental in shaping the distinctive aesthetic of his work, from stark social documentaries to surreal nudes and evocative landscapes. Early Career: Zeiss-Ikon Miroflex In the late 1920s, Brandt began his photographic journey with a Zeiss-Ikon Miroflex , a medium format single-lens reflex camera that utilized glass negatives measuring approximately 6.5 x 9 cm. This camera allowed him to compose images meticulously, either at eye level or using a waist-level viewfinder, facilitating both candid street scenes and carefully arranged compositions. Zeiss-Ikon Miroflex Documentary Work: Rolleiflex During the 1930s and early 1940s, Brandt extensively used a Rolleiflex twin-lens reflex camera. Its 6x6 cm format and high-quality optics made it ideal for his social d...

  Saul Leiter, renowned for his pioneering work in color street photography, utilized a diverse array of camera gear throughout his career, adapting his equipment choices to his evolving artistic vision.   Here's an overview of the cameras and lenses he employed: Film Cameras Leica M4 : During the 1970s and beyond, Leiter frequently used the Leica M4 for his commercial and fashion photography assignments. Leica M4 Leica CL : For street photography, he often opted for the compact Leica CL, appreciating its portability and discreet profile. Leica CL Canon A-1 and AE-1 : Leiter incorporated these Canon models into his street photography repertoire, valuing their versatility and the availability of quality FD lenses. Canon A1 Canon AE-1 Minox 35 EL : Known for its ultra-compact design, the Minox 35 EL was another camera Leiter used, aligning with his preference for unobtrusive equipment. Minix 35 EL Rolleiflex 6x6 : In his early career, particularly during the 1950s, L...

Josef Koudelka, the esteemed Czech-French photographer, has utilized a diverse array of cameras throughout his illustrious career, aligning his equipment choices with the evolving nature of his photographic projects.   Here's an overview of the key cameras he has employed: Early Career: Wide-Angle SLR Exakta Varex with 25mm f/4 Flektogon Lens : During his seminal "Gypsies" project in the 1960s, Koudelka used this setup to capture intimate, wide-angle black-and-white images of Romani communities. The combination allowed for immersive compositions that became a hallmark of his early style. Josef Koudelka and his Exakta Transition to Rangefinders: Leica M Series Leica M4 : Koudelka employed the Leica M4 during the 1968 Soviet invasion of Prague. Its compact and discreet design enabled him to document the events amidst the turmoil. Leica M4 Leica M with 35mm and 50mm Lenses : Seeking to evolve his photographic vision and avoid repetition, he transitioned to using 35m...