Stephen Shore is known for his pioneering work in color photography and for elevating everyday American scenes into art, particularly in the 1970s. His gear evolved significantly over time, depending on the phase of his work.
Here’s a breakdown of what cameras he has used:
Early Work (1960s)
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35mm Leica M3
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Used during his teenage years while documenting Andy Warhol’s Factory
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Equipped with standard Leica lenses
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| Leica M3 |
1970s: Iconic Color Work (e.g., Uncommon Places, American Surfaces)
🔹 American Surfaces (1972–1973)
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Rollei 35 (compact 35mm camera)
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Very small and portable
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Allowed him to shoot casually and frequently in color
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Shot on Kodak color negative film
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| Rollei 35 |
🔹 Uncommon Places (mid-1970s onward)
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Linhof Technika IV 4x5
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Large format camera
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Used with color 4x5" sheet film (Kodak)
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Shifted to more deliberate compositions, with extreme detail and clarity
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Often mounted on a tripod
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| Linhof Technika IV 4x5 |
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Deardorff 8x10 View Camera (later)
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Used to create even more detailed, richly colored large-format prints
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Reflects his move to ultra-high resolution and painterly compositions
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| Deardorff 8x10 |
Later Work & Digital Era
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Shore has also embraced digital photography, particularly for his social media projects and more recent books.
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He has used digital point-and-shoot cameras and even iPhones for some projects (e.g., Instagram-based work).
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This mirrors the casual, diaristic approach of his American Surfaces series but in a modern context.
Film Stock
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Kodak Kodacolor (early color negative)
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Kodachrome (for some slide work)
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Kodak Ektacolor (especially with large format)
Books by Stephen Shore
