What Camera Gear do they use?

  Here’s a structured profile of Elliott Erwitt —focusing on his photographic vision, iconic work, and the cameras that helped him document life with wit and humanity: Elliott Erwitt: Master of Life’s Subtle Ironies — and the Cameras He Trusted Elliott Erwitt (1928–2023) was a legendary Magnum photographer celebrated for capturing candid moments full of humor, compassion, and uncanny visual wit. His images—whether of dogs, famous personalities, or everyday urban vignettes—convey candid truth through simplicity and timing. Visual Style & Biography Born in Paris to Russian émigrés and raised in Italy and the U.S., Erwitt developed an early sensitivity to cultural nuance and irony. After studying photography and filmmaking, he joined Magnum Photos in 1953 and went on to produce iconic images of children, dogs, world leaders, celebrities, and intrusions of absurdity into daily life . His signature lies in the surprising conjunction: a pair of boots beside a tiny dog, a couple ki...

  Fred Herzog, a pioneer of color street photography in mid-20th‑century Vancouver, worked with a surprisingly modest yet powerful analog camera setup rooted in portability, intuition, and technical precision. Cameras he used Kodak Retina I His very first camera , inherited from his uncle—a folding plate format he later traded for a more manageable model . Leica Rangefinders (M3, later M2/M4) In 1957 he bought a Leica M3 , and later used the M2 and M4 models for street photography . Valued for discreteness, sharp lenses, and quick focusing—ideal for street scenes. Leica M4 Nikon F SLR Added a Nikon F to his kit later, used for flexibility and different lens choices . Nikon F Yashica 635 TLR Photographed using a Yashica 635 twin-lens reflex later in life—an example captured by a fan at CBC Vancouver . Yashica 635 Canon WP-1 Also experimented with the rugged Canon WP‑1 waterproof 35 mm camera. Canon WP-1 Film & Lenses Kodachrome color slide ...

Stephen Shore is known for his pioneering work in color photography and for elevating everyday American scenes into art, particularly in the 1970s. His gear evolved significantly over time, depending on the phase of his work.  Here’s a breakdown of what cameras he has used: Early Work (1960s) 35mm Leica M3 Used during his teenage years while documenting Andy Warhol’s Factory Equipped with standard Leica lenses Leica M3 1970s: Iconic Color Work (e.g., Uncommon Places , American Surfaces ) 🔹 American Surfaces (1972–1973) Rollei 35 (compact 35mm camera) Very small and portable Allowed him to shoot casually and frequently in color Shot on Kodak color negative film Rollei 35 🔹 Uncommon Places (mid-1970s onward) Linhof Technika IV 4x5 Large format camera Used with color 4x5" sheet film (Kodak) Shifted to more deliberate compositions, with extreme detail and clarity Often mounted on a tripod Linhof Technika IV 4x5 Deardorff 8x10 View Ca...

  Ernst Haas, a pioneer of color photography and a key figure in photojournalism, used a range of camera gear throughout his career.  His equipment evolved over time, but here are the main tools he was known to use: Early Career (Black and White Work): Leica Rangefinder Cameras : In the 1940s and 1950s, Haas primarily used Leica cameras , notably the Leica III series and later the Leica M3 , with screw-mount or M-mount lenses. These cameras were small, quiet, and ideal for his early black-and-white reportage. Common lenses included the 50mm Summicron and 35mm wide-angles. Leica M3 Color Photography Era (1950s onward): Leica M3 and M4 : He continued using Leica rangefinders as he transitioned to color photography. His Leica M3 was especially important in his early color work for Life magazine and later personal projects. Leica M4 SLRs – Nikon and Canon (Later Years) : By the 1960s and 70s, Haas also used SLRs (especially for zoom and telephoto flexib...

  Martin Parr, the renowned British documentary photographer, has utilized a diverse array of camera gear throughout his career, adapting his equipment to suit various projects and evolving photographic styles. Here's an overview of the gear he's employed: Cameras and Lenses Film Cameras: Leica M3 with 35mm lens : Used during the 1970s for his early black-and-white work. Leica M3 Plaubel Makina 67 with 80mm f/2.8 Nikon lens : Employed in the 1980s, notably for The Last Resort series. Plaubel Makina 67 Mamiya 7 : A medium format rangefinder camera favored by Parr for its portability and image quality. Mamiya 7 Digital Cameras: Canon EOS 5D Series : Transitioned to digital with the Canon 5D in 2007, later upgrading to the 5D Mark IV, which he describes as intuitive and well-suited for documentary work. Canon EOS 5D Mark IV Canon EOS 5DS R : Utilized for advertising shoots requiring high-resolution images. Canon EOS 5Dsr Lenses: Canon EF 24-70mm f/2.8L II...

  William Eggleston, a seminal figure in color photography, is renowned for his vivid portrayals of everyday life. His choice of camera gear has been integral to his distinctive aesthetic, characterized by rich colors and unconventional compositions. Primary Cameras Leica M Series : Eggleston extensively used Leica M rangefinder cameras, including models like the M3, M4, M5, and M6. These cameras, known for their precision and compactness, complemented his spontaneous shooting style. William Eggleston's Leica collection Leica M5 Leica M6 Canon Rangefinders : His first camera was a Canon 35mm rangefinder, acquired during his college years. This initial foray into photography laid the foundation for his future explorations.   Contax G2 : Eggleston also employed the Contax G2, a 35mm autofocus rangefinder, for its sharp optics and portability.   Contax G2 Medium Format Cameras : For larger negatives and enhanced detail, he utilized medium format cameras such ...

Henri Cartier-Bresson, often called the father of modern photojournalism, is most famously associated with Leica rangefinder cameras and a philosophy centered around the "decisive moment." His gear was intentionally minimalist, allowing him to be discreet, fast, and focused on composition and timing. Camera Bodies Leica Rangefinder Cameras: Cartier-Bresson almost exclusively used Leica 35mm rangefinder cameras throughout his career. He began with the Leica II and Leica III models, both equipped with collapsible 50mm Elmar lenses. After World War II, he transitioned to the Leica M3, which became his main camera for much of his later work. Henri Cartier-Bresson's first Leica Leica M3 Henri Cartier-Bresson's Leica camera Other Formats: On rare occasions, he also used medium format cameras such as the Rolleiflex and Hasselblad, but these were exceptions rather than the rule. Lenses 50mm Lens: His signature lens was the 50mm, most often the collapsible Leica 50mm Summ...