What Camera Gear do they use?

  Edward Burtynsky is renowned for his monumental industrial landscapes, and his camera gear reflects decades of evolution—from 8×10 film to high-resolution digital.  Here's a detailed overview: Early Film Era Large-format field cameras (4×5 and 8×10 sheet film) Shot iconic projects like Mines , Quarries , Shipbreaking , etc. Used Linhof view cameras and other large-format systems. Often proofed with Polaroid Type 55 during shoots Linhof 4 x 5 Transition to Digital Hasselblad H6D‑100c His current primary camera, boasting a 100‑megapixel sensor with Hasselblad/Imacon color profile—designed to emulate negative-film aesthetics. Previously used the H6D‑60 , which offered quality comparable to 5×7 film; the H6D‑100 elevates him to 8×10 film territory Hasselblad H6D-100c Bertynsky with Hasselblad H6D-100c Specialized Aerial Setup Hasselblad digital bodies mounted on gyro‑stabilized rigs for aerial work Shot from helicopters or RC-copters with live vide...

  Irving Penn was a master of photographic technique and used a variety of camera gear throughout his career, often adapting his equipment to suit the specific needs of his projects. Here's a breakdown of the types of cameras and some specific models he was known to use: Cameras Large Format View Cameras : These were his most frequently used cameras for studio work, allowing him to capture exceptional detail and tonality. Specific models mentioned include Deardorff and Sinar. He also owned and used a Linhof III Technika 4x5 camera. Irving Penn and camera Linhof 4x5 Technica III  Medium Format Cameras: He used medium format cameras, including the Rolleiflex (which he purchased as his first camera in 1938) and Hasselblad. He took five Rolleiflex twin-lens reflex cameras for his ethnographic work where he used a portable studio. Rolleiflex 35mm Cameras: Penn began using 35mm cameras, such as Leica, for his magazine travel assignments starting in 1950. In the late 1950s, he transi...