What Camera Gear do they use?

  Gustavo Minas , the Brazilian-born photographer based in Brasília and São Paulo, crafts visual essays in color that feel like living paintings—full of reflections, architectural geometry, people in motion, and sharp contrasts. Although his inner world is dense and cinematic, his camera gear has evolved with intention and clarity. Gear Journey: From Fuji X100 to X‑Pro3 Fujifilm X100 (2014–2016) Minas discovered Fujifilm in 2014 when his DSLR broke. He borrowed an X100 and immediately fell in love with its slide-film color aesthetic and compactness. He then transitioned to the X‑Pro1 with a 27 mm lens , giving him more compositional control and a 41 mm equivalent field of view, better suited to Brasília’s urban scale . Fujifilm X100 Fujifilm X‑Pro1 → X‑Pro2 In 2016, Minas upgraded to the X‑Pro1 + 27 mm and the versatile 18–55 mm zoom , which allowed him to work with layered reflections and unified depth, blending planes into visual metaphors .  Fujifilm X-Pro1 He moved to the...

  Pau Buscató is a Barcelona-born street photographer now based in Oslo, Norway. Widely admired for his surreal, humorous, and often poetic compositions, Buscató has carved out a unique place in contemporary street photography by capturing fleeting moments that seem almost too perfect to be real — visual coincidences, playful alignments, and subtle absurdities that reveal themselves only to the most attentive eye. But what's most remarkable is not just what he captures — it’s how he captures it: with minimalist tools and a deep reliance on instinct, patience, and awareness. Philosophy First: Why Less Is More Pau Buscató believes in reducing distractions and allowing vision to take the lead. He emphasizes that street photography is not about chasing gear, trends, or presets—it’s about being fully present , visually alert , and open to the surprises of everyday life. “I try to go out every day to shoot. I want to keep my eye trained and sharp. Most of the time I come back with n...

  Rammy Narula uses a beautifully diverse and film-centric camera kit, with a strong love for both medium/large format analog and Fujifilm digital systems: Analog / Film Cameras Voigtländer Bessa GSW 670 III – a medium-format rangefinder shooting 6×7 (≈28 mm equivalent); his go‑to for travel and street. Voigtländer Bessa III Fuji GA 645 – another 6×4.5 medium-format with a fixed wide-angle lens. Rolleiflex 3.5 F – classic 6×6 twin-lens Rollei prized for its square frames. Rolleiflex 3.5 F Hasselblad 501C – medium-format SLR with interchangeable lenses (40–100 mm range). Hasselblad 501c Mamiya 645 1000s – manual-focus medium-format, replaced earlier autofocus version. Mamiya 645 1000s Tachihara & Toyo 8×10 field cameras – large-format wood and metal bodies with long lenses (210 mm, 360 mm, 480 mm). Tachihara 8x10 field camera He also keeps some 35 mm film gear: Nikon F100 with 28 mm f/2.8 lens Nikon F100 Leica M6 with 28 mm lens Nikon 35AF-3...