What Camera Gear do they use?

  Peruvian-born and London-based, Mario Testino is known for his glamorous, intimate portraits of royalty, supermodels, and celebrities—from Princess Diana to Kate Moss , Gisele Bündchen , Madonna , Rihanna , and beyond . His work has defined modern fashion photography and is featured across Vogue , Vanity Fair , Burberry , and Gucci campaigns . Gear Evolution: From Contax Point‑and‑Shoot to 100‑MP Hasselblad Contax Point‑and‑Shoot Cameras Early in his career, Testino relied heavily on compact Contax point-and-shoots , often carrying two at once. These small cameras, paired with on-camera flash , allowed him spontaneity and intimacy—hallmarks of his style in early editorial and candid portrait work.   A Reddit thread confirms: Fashion photographers Terry Richardson and Mario Testino both shot on a semi‑regular basis with relatively inexpensive point and shoot fixed lens cameras. Contax T3 Transition to High-End Digital Systems As editorial demands grew, Testino adopted sta...

  Edward Burtynsky is renowned for his monumental industrial landscapes, and his camera gear reflects decades of evolution—from 8×10 film to high-resolution digital.  Here's a detailed overview: Early Film Era Large-format field cameras (4×5 and 8×10 sheet film) Shot iconic projects like Mines , Quarries , Shipbreaking , etc. Used Linhof view cameras and other large-format systems. Often proofed with Polaroid Type 55 during shoots Linhof 4 x 5 Transition to Digital Hasselblad H6D‑100c His current primary camera, boasting a 100‑megapixel sensor with Hasselblad/Imacon color profile—designed to emulate negative-film aesthetics. Previously used the H6D‑60 , which offered quality comparable to 5×7 film; the H6D‑100 elevates him to 8×10 film territory Hasselblad H6D-100c Bertynsky with Hasselblad H6D-100c Specialized Aerial Setup Hasselblad digital bodies mounted on gyro‑stabilized rigs for aerial work Shot from helicopters or RC-copters with live vide...