Rammy Narula uses a beautifully diverse and film-centric camera kit, with a strong love for both medium/large format analog and Fujifilm digital systems:
Analog / Film Cameras
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Voigtländer Bessa GSW 670 III – a medium-format rangefinder shooting 6×7 (≈28 mm equivalent); his go‑to for travel and street.
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| Voigtländer Bessa III |
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Fuji GA 645 – another 6×4.5 medium-format with a fixed wide-angle lens.
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Rolleiflex 3.5 F – classic 6×6 twin-lens Rollei prized for its square frames.
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| Rolleiflex 3.5 F |
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Hasselblad 501C – medium-format SLR with interchangeable lenses (40–100 mm range).
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| Hasselblad 501c |
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Mamiya 645 1000s – manual-focus medium-format, replaced earlier autofocus version.
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| Mamiya 645 1000s |
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Tachihara & Toyo 8×10 field cameras – large-format wood and metal bodies with long lenses (210 mm, 360 mm, 480 mm).
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| Tachihara 8x10 field camera |
He also keeps some 35 mm film gear:
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Nikon F100 with 28 mm f/2.8 lens
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| Nikon F100 |
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Leica M6 with 28 mm lens
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Nikon 35AF-3 point‑and‑shoot
Digital Mirrorless (Fujifilm)
Based on recent Fujifilm “X‑Photographer” features, he primarily shoots with:
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FUJIFILM X100VI – a fixed‑lens compact that has become his digital favorite.
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| Fujifilm X100VI |
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Fujifilm X‑T series, especially the X‑T1 with a 23 mm prime
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| Fujifilm X-T1 |
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Leica Q also appears in his digital street kit
Why This Gear?
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Analog formats bring unique character, color rendition, and serendipity—but they're heavy
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Digital Fujifilm & Leica compacts combine portability, excellent color science, and tactile controls, perfect for street/documentary work.