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Rammy Narula

 

Rammy Narula uses a beautifully diverse and film-centric camera kit, with a strong love for both medium/large format analog and Fujifilm digital systems:

Analog / Film Cameras

  • Voigtländer Bessa GSW 670 III – a medium-format rangefinder shooting 6×7 (≈28 mm equivalent); his go‑to for travel and street.

Voigtländer Bessa III


  • Fuji GA 645 – another 6×4.5 medium-format with a fixed wide-angle lens.



  • Rolleiflex 3.5 F – classic 6×6 twin-lens Rollei prized for its square frames.

Rolleiflex 3.5 F

  • Hasselblad 501C – medium-format SLR with interchangeable lenses (40–100 mm range).

Hasselblad 501c

  • Mamiya 645 1000s – manual-focus medium-format, replaced earlier autofocus version.

Mamiya 645 1000s

  • Tachihara & Toyo 8×10 field cameras – large-format wood and metal bodies with long lenses (210 mm, 360 mm, 480 mm).

Tachihara 8x10 field camera

He also keeps some 35 mm film gear:

  • Nikon F100 with 28 mm f/2.8 lens

Nikon F100

  • Leica M6 with 28 mm lens

  • Nikon 35AF-3 point‑and‑shoot

Digital Mirrorless (Fujifilm)

Based on recent Fujifilm “X‑Photographer” features, he primarily shoots with:

  • FUJIFILM X100VI – a fixed‑lens compact that has become his digital favorite.

Fujifilm X100VI

  • Fujifilm X‑T series, especially the X‑T1 with a 23 mm prime

Fujifilm X-T1

  • Leica Q also appears in his digital street kit

Why This Gear?

  • Analog formats bring unique character, color rendition, and serendipity—but they're heavy

  • Digital Fujifilm & Leica compacts combine portability, excellent color science, and tactile controls, perfect for street/documentary work.


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