Lee Friedlander, one of the great masters of American photography, is known for his complex compositions, use of reflections and shadows, and pioneering work in the genre of social landscape photography.
His camera gear has remained relatively consistent throughout his long career, and his choices have shaped the distinct visual style for which he is celebrated.
Main Camera Gear Used by Lee Friedlander
Leica M Series (35mm Film)
-
In his early career, particularly during the 1960s and 1970s, Friedlander used a Leica M camera (such as the Leica M4) with a 35mm lens.
 |
| Leica M4 |
-
This setup allowed for speed, discretion, and deep depth of field — ideal for his layered and spontaneous street photographs.
Super-Wide-Angle Lenses
-
Friedlander often used wide and super-wide lenses, including 21mm and 28mm lenses, which contributed to the crowded, energetic feel of his compositions.
-
His perspective often placed his own shadow or reflection into the frame — a signature of his work.
Hasselblad Superwide (SWC) – Medium Format
-
In the 1990s and 2000s, Friedlander shifted to a Hasselblad Superwide C (SWC) camera with a fixed 38mm Biogon lens, shooting 6x6cm medium format.
 |
| Lee Friedlander and a Hasselblad |
 |
| Hasselblad SWC |
-
This gear allowed him to maintain sharpness and depth across a square format — perfect for his increasingly formal compositions, including portraits, nudes, and landscapes.
Black-and-White Film (Kodak Tri-X)
-
Like many of his contemporaries, Friedlander relied heavily on Kodak Tri-X 400 film for its contrast, grain, and reliability.
-
He also printed his own work in silver gelatin, with meticulous attention to tone and framing.
Printing Style
-
Friedlander prints all of his own photographs, often in silver gelatin, maintaining creative control over the final image.
-
His prints are known for their rich tonal range and meticulous framing — even in the apparent chaos of the images.