Harry Gruyaert, the Belgian Magnum photographer renowned for his pioneering use of color, has employed a variety of camera gear throughout his career, adapting to technological advancements while maintaining his distinctive visual style.
Film Era: Leica M & Kodachrome
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Leica M Rangefinders: Gruyaert predominantly used Leica M series cameras, notably the Leica M6, paired with a 50mm lens. This combination allowed for discreet shooting and precise framing, essential for his candid street photography.
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| Leica M6 |
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Kodachrome Film: His signature aesthetic was largely achieved using Kodachrome slide film, celebrated for its rich, saturated colors and fine grain. This film stock played a pivotal role in capturing the vibrant scenes in his works, such as those in Morocco.
Transition to Digital: Canon DSLRs & Leica M9
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Canon EOS DSLRs: Following the theft of his Leica gear in 2003, Gruyaert incorporated Canon EOS digital SLRs into his workflow. He uses the Canon EOS 5D Mark III. The camera offers versatility and reliability, accommodating his evolving photographic needs.
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| Harry Gruyaert using his Canon DSLR |
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| Canon EOS 5D Mark III |
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Leica M9: Embracing digital technology while preserving the rangefinder experience, Gruyaert adopted the Leica M9. This digital counterpart to his earlier film cameras allowed him to continue his work with minimal disruption to his established shooting style.
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| Leica M9 |
Printing Techniques: From Cibachrome to Inkjet
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Cibachrome and Dye Transfer: In the film era, Gruyaert utilized Cibachrome and dye transfer printing methods, known for their vibrant color reproduction and archival quality. These techniques complemented his focus on color and composition.
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Digital Inkjet Printing: With the advent of digital photography, he transitioned to inkjet printing. This method provided greater control over color nuances and allowed him to achieve prints that closely matched his artistic vision.