What Camera Gear do they use?

  Susan Meiselas: The Witness Who Stays Introduction Susan Meiselas (b. 1948, Baltimore) is one of the most significant and morally rigorous documentary photographers of the last half-century. A member of  Magnum Photos  since 1976 — and President of the  Magnum Foundation  since its founding in 2007 — she first came to prominence with  Carnival Strippers  (1976), a groundbreaking multi-year project photographing women performing in travelling strip shows across New England. That work established the hallmarks that would define her entire career: long-term immersion, ethical commitment to her subjects, and a documentary practice that goes far beyond the single image. She is best known internationally for her coverage of the Sandinista insurrection in Nicaragua (1978–1979), producing some of the most iconic images in the history of conflict photography — most notably  Molotov Man  (1979), named by  Time  magazine as one of the 100 mo...

  Graciela Iturbide: Ritual, Identity, and the Poetry of Mexico Introduction Graciela Iturbide (born 1942) is one of the most important photographers of the late 20th and early 21st centuries. Her work stands at the crossroads of documentary photography, anthropology, and visual poetry, exploring identity, ritual, gender, and tradition — particularly within Mexican and Indigenous cultures. A student and close collaborator of Manuel Álvarez Bravo, Iturbide inherited his quiet, symbolic approach while developing a voice that is entirely her own. Her photographs are rooted in lived experience and long-term immersion rather than quick reportage. She does not document from a distance; she observes with respect, patience, and deep emotional intelligence. Best known for her work in Oaxaca and Juchitán, as well as projects in Cuba, India, Madagascar, and the United States, Iturbide creates images that feel timeless — photographs that exist between reality and myth, presence and memory. Ca...

  René Burri: The Architect of Political and Cultural Photography Introduction René Burri (1933–2014) was one of the most influential photographers to emerge from Magnum Photos in the postwar period. Best known for his iconic portraits of political and cultural figures — including Che Guevara, Pablo Picasso, and Le Corbusier — Burri combined architectural precision with human insight, creating images that are both documentary records and visual essays. Born in Zurich, Burri was trained at the Kunstgewerbeschule under Hans Finsler, where he developed a strong sense of geometry, structure, and form. This background shaped his entire career. Whether photographing global politics, modern architecture, or everyday life across continents, Burri’s images reveal an analytical eye balanced by curiosity and empathy. Burri’s photography is not driven by drama or confrontation. Instead, it unfolds through observation, composition, and intellectual engagement — making him a key figure in the ...